tag:blogger.com,1999:blog-39921134889020999972024-03-05T16:50:21.908-08:00Librairie BUSSERLivres Anciens, Romantiques et Modernes -
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Achat - Vente - ExpertiseLibrairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.comBlogger116125tag:blogger.com,1999:blog-3992113488902099997.post-50062777496169200622020-04-23T07:29:00.000-07:002020-04-23T07:29:03.293-07:00GRAND PALAIS VIRTUEL<div class="separator" style="clear: both; text-align: center;">
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<br />Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-17475455110291922972020-04-17T00:41:00.000-07:002020-04-17T00:47:43.747-07:00MITTERRAND François, Ma part de vérité<div class="MsoNormal" style="font-family: "Times New Roman"; margin: 0cm 0cm 0.0001pt; text-align: center;">
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MITTERRAND, François. <o:p></o:p></div>
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Ma part de vérité, de la rupture à l'unité en toute liberté. <o:p></o:p></div>
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Paris : Fayard, 1969. <o:p></o:p></div>
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<span style="font-size: 9pt;">In-8, 216 x 148 : 206 pp., (1 f.), couverture imprimée. — broché. <o:p></o:p></span></div>
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<span style="font-size: 11pt;">Édition originale de cet ouvrage entre l'autobiographie et l'essai, dans lequel François Mitterrand livre une explication politique à travers l'évocations d'une partie choisie de ses souvenirs.<br />"Ce livre est un dialogue, non seulement entre Alain Duhamel et moi, mais encore entre nos lecteurs, lui et moi. Alain Duhamel m'a posé les questions de son choix. Je lui ai répondu à ma guise. Nos lecteurs auraient peut-être aimé poser d'autres questions, recevoir d'autres réponses. Ils participeront quand même au débat si, le livre refermé, ils le prolongent en lui apportant ce qu'il leur demande c'est à dire la réflexion, la discussion, bref la contestation."<br />Exemplaire enrichi d’un envoi autographe de François Mitterrand à Simone Brochet :<o:p></o:p></span></div>
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<span style="font-size: 11pt;"><br /><i>Pour Madame Simone Brochet<o:p></o:p></i></span></div>
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<i><span style="font-size: 11pt;">en amical hommage<o:p></o:p></span></i></div>
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<i><span style="font-size: 11pt;">avec la pensée de<o:p></o:p></span></i></div>
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<i><span style="font-size: 11pt;">François Mitterrand.</span></i><span style="font-size: 11pt;"><o:p></o:p></span></div>
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<span style="font-size: 11pt;"><br />L'époux de la dédicataire commandait le centre de Secours des Pompiers volontaires de Château-Chinon, petite ville de la Nièvre où François Mitterrand exerça la fonction de Maire de 1959 à 1981.<o:p></o:p></span></div>
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<span style="font-size: 11pt;">Pliure, petits frottements et petites taches à la couverture. <o:p></o:p></span></div>
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<span style="font-size: 11pt;">230 €</span><o:p></o:p></div>
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<span style="font-size: 11pt;"><a href="mailto:librairiebusser@orange.fr">Commander</a></span></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-79365192363936156282020-04-16T10:14:00.002-07:002020-04-16T10:51:23.683-07:00MITTERRAND, François. La Paille et le grain.<div class="AUTEUR" style="color: #cc071d; font-family: Times; font-size: 14pt; font-weight: bold; line-height: 22.399999618530273px; margin: 5.65pt 0cm; text-align: center;">
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<span style="font-family: "times new roman"; font-weight: normal;"><span style="color: #fff2cc; font-size: large;">MITTERRAND, François.<o:p></o:p></span></span></div>
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<span style="color: #fff2cc; font-size: large;"><span style="font-family: "times new roman";">La Paille et le grain. Chronique.</span><span style="font-family: "times new roman";">— Paris : Flammarion, La Rose au point (Impr. Hemmerlé, Petit et C<sup>ie</sup>), 1975.<o:p></o:p></span></span></div>
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<span style="font-family: "times new roman";"><span style="color: #fff2cc;">In-12, 200 x 140 : (1 f.); 300 pp., (1 f.), couverture imprimée. — Broché.<o:p></o:p></span></span></div>
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<span style="font-family: "times new roman";"><span style="color: #fff2cc;">Édition originale.<o:p></o:p></span></span></div>
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<span style="font-family: "times new roman";"><span style="color: #fff2cc;">« Je n’ai pas l’intention d’écrire des « Mémoires » et je ne tiens pas un journal des événements que je vis ou approche. Mais je griffonne assez souvent des notes sous le coup d’une émotion ou par souci de fixer à leur date et dans leur contexte une impression, un fait, auxquels j’accorde une importance pour des raisons variables et qui restent subjectives. Ces notes attendent en vrac un sort certain » (Avertissement).<o:p></o:p></span></span></div>
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<span style="font-family: "times new roman";"><span style="color: #fff2cc;">Les chroniques qui composent ce recueil ont été rédigées entre 1971 et 1974. Une partie des textes est ici publiée pour la première fois tandis que d’autres avaient déjà été dévoilés dans le « bloc-notes » de l’Unité, hebdomadaire du Parti Socialiste.<o:p></o:p></span></span></div>
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<span style="font-family: "times new roman";"><span style="color: #fff2cc;">Exemplaire enrichi d’un envoi autographe de François Mitterrand à Marie-Hélène Brochet : <o:p></o:p></span></span></div>
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<span style="font-family: "times new roman";"><span style="color: #fff2cc;">Pour Marie-Hélène Brochet<o:p></o:p></span></span></div>
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<span style="font-family: "times new roman";"><span style="color: #fff2cc;">en amical témoignage de<o:p></o:p></span></span></div>
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<span style="font-family: "times new roman";"><span style="color: #fff2cc;">François Mitterrand.<o:p></o:p></span></span></div>
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<span style="font-family: "times new roman";"><span style="color: #fff2cc;">Le père de la dédicataire commandait le centre de Secours des Pompiers volontaires de Château-Chinon, petite ville de la Nièvre où François Mitterrand exerça la fonction de Maire de 1959 à 1981.<o:p></o:p></span></span></div>
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<span style="font-family: "times new roman";"><span style="color: #fff2cc;">Pliure à la couverture. </span></span></div>
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<span style="font-family: "times new roman";"><span style="color: #fff2cc;"> <b>250 €</b> <o:p></o:p></span></span></div>
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<span style="font-family: "times new roman";"><span style="color: #fff2cc;"><a href="http://www.librairie-busser.fr/book/1188">Commander</a></span></span></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-8920816478634987352020-04-15T03:59:00.000-07:002020-04-15T04:01:37.415-07:00Jacques de LACRETELLE. L.A.S.<div align="center" class="MsoNormal" style="font-family: Times; margin: 0cm 0cm 0.0001pt; text-align: center;">
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<a href="https://www.blogger.com/null" name="OLE_LINK99"><span style="font-family: "garamond";"><span style="font-size: x-large;">Jacques de <b>LACRETELLE<o:p></o:p></b></span></span></a></div>
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<span style="font-family: "garamond";"><span style="font-size: x-large;">(1888-1985)<o:p></o:p></span></span></div>
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<i><span style="font-family: "garamond";"><span style="font-size: x-large;">Écrivain français.</span><span style="font-size: 11pt;"><o:p></o:p></span></span></i></div>
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<span style="font-family: "garamond";">L.A.S., novembre 1936, à Gaston Cherau, de l’Académie Goncourt ; 1 page in-8 oblong, en-tête <i>49, rue Vineuse, Kléber 79-87</i>, enveloppe.<o:p></o:p></span></div>
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<span style="font-size: large;"><b><span style="font-family: "garamond";">Lettre amicale envoyée au journaliste et écrivain Gaston Chérau</span></b><span style="font-family: "garamond";">. “Votre lettre me touche vivement. Cette sympathie qui se dégage de votre œuvre, je l’ai retrouvée chez l’auteur chaque fois que j’ai eu le plaisir de vous rencontrer.”</span></span></div>
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<span style="font-size: large;"><span style="font-family: "garamond";">25 €</span></span></div>
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<span style="font-family: "garamond"; font-size: large;"><a href="http://www.librairie-busser.fr/fr/rechercher?q=lacretelle&node=1">Commander</a></span></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-7897490293187804412020-04-14T08:37:00.000-07:002020-04-14T08:37:17.181-07:00LOUYS Pierre (1870-1925). L.A.S.<br />
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<span style="font-family: Garamond;"><span style="font-size: x-large;">(1870-1925)<o:p></o:p></span></span></div>
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<i><span style="font-family: Garamond;"><span style="font-size: x-large;">Poète et romancier français.</span><span style="font-size: 11pt;"><o:p></o:p></span></span></i></div>
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<a href="https://www.blogger.com/null" name="OLE_LINK112"><span style="font-family: Garamond;">L.A.S., vers 1901 ; 3 pages in-12, en-tête <i>147, boulevard Malesherbes</i>.<o:p></o:p></span></a></div>
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<span style="font-family: Garamond;"><span style="font-size: large;">Lettre concernant des recherches sur Marie-Louise O’Murphy, maîtresse de Louis XV, dont Louÿs projetait d’écrire l’histoire. Il ne croyait pas à l’exactitude de son renseignement : <i>je l’avais trouvé dans un article anonyme dans le tome 24 de la G<sup>de</sup>Encyclopédie</i>. <i>Mais en feuilletant ce volume je viens de m’apercevoir que la notice doit être attribuée à M. Funck-Brentano</i>qui confirme l’acte de décès. Il signale à son correspondant une erreur dans son <i>Louis XV</i>, <i>une petite erreur de lecture qui a été faite par M. d’Estrée et reproduite à la page 116 de votre ouvrage. Meusnier écrit que la D<sup>e</sup>Fleuret était l’entremetteuse de M<sup>lle<u>s</u></sup>Morphis. Le pluriel est intéressant pour l’histoire de la famille</i>.</span><span style="font-size: 9pt;"><o:p></o:p></span></span></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-66338837503689383012020-03-31T02:51:00.001-07:002020-03-31T03:37:50.668-07:00Michel Antoine CARRÉ - Lettre autographe signée.<div class="MsoNormal" style="font-family: Times; margin: 0cm 0cm 0.0001pt; text-align: center;">
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<span style="font-family: "garamond" , serif;"><span style="font-size: x-large;">Michel-Antoine <b>CARRÉ<o:p></o:p></b></span></span></div>
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<span style="font-family: "garamond" , serif;"><span style="font-size: x-large;">(1865-1945)<o:p></o:p></span></span></div>
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<i><span style="font-family: "garamond" , serif;"><span style="font-size: x-large;">Auteur dramatique<o:p></o:p></span></span></i></div>
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<span style="font-family: "garamond" , serif;">Lettre autographe signée, 7 juillet 1919, à Maurice Bernhardt ; </span><span style="font-family: "garamond" , serif;">3 pages et demi (181 x 137), pliure au centre du document</span><span style="font-family: "garamond" , serif;">.<o:p></o:p></span></div>
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<span style="font-size: large;"><span style="font-family: "garamond" , serif;">Le dramaturge Michel Antoine Carré s’adresse ici à Maurice </span><span style="font-family: "garamond" , serif;">Bernhardt (1864-1928) directeur du théâtre Sarah Bernhardt à propos de sa pièce intitulée « Le Prince et le Pauvre » :</span></span></div>
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<span style="font-size: large;"><span style="font-family: "garamond" , serif;"><i>Sur la foi de votre parole, m’autorisant à trouver une combinaison entre plusieurs directeurs de mes amis, pour monter au théâtre Sarah Bernhardt « Le Prince et le Pauvre » j’ai fait lire la pièce à Trébor. Il l’a trouvée originale, amusante, curieuse, pittoresque et il m’a dit : « Je marche… »</i></span></span></div>
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<span style="font-family: "garamond" , serif;"><span style="font-size: large;">Il accuse Victor Ulmann (1859-...) de saper la mise en place de sa pièce <i>Le Prince et le Pauvre, </i>notamment auprès de son ami Robert Fleurieau, dit Robert Trébor, dramaturge et directeur de théâtre :</span></span></div>
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<i><span style="font-family: "garamond" , serif;"><span style="font-size: large;">Il est allé trouver Ulmann pour lui en parler et, contrairement à nos conventions, Ulmann lui a fortement déconseillé de faire l’affaire, déclarant que c’était risquer beaucoup pour une pièce à laquelle il ne croyait pas et que le théâtre n’avait pas du tout l’intention de monter. Je suis très surpris de cette attitude, qui manque de franchise et les choses ne se fussent certainement pas passées de cette façon, si vous aviez été là.<o:p></o:p></span></span></i></div>
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<span style="font-family: "garamond" , serif;"><span style="font-size: large;">Se sentant trahi, Michel Carré demande le soutient de Maurice Bernhardt <i><o:p></o:p></i></span></span></div>
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<i><span style="font-family: "garamond" , serif;"><span style="font-size: large;">Je vous prie de me dire ce que vous en pensez, si vous partager l’avis d’Ulmann et si c’est avec lui, ou avec vous, que mes amis doivent s’entendre.<o:p></o:p></span></span></i></div>
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<span style="font-family: "garamond" , serif;"><span style="font-size: large;">Dans un ouvrage intitulé <i>Qui Etes-Vous ? </i>publié en 1924 on découvre dans l’article consacré à Michel Antoine Carré que la pièce <i>Le Prince et le Pauvre, 5 actes </i>était en préparation. <o:p></o:p></span></span></div>
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<br />Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-27895982286958023832020-03-30T06:49:00.001-07:002020-03-30T06:49:44.872-07:00Marie François SADI CARNOT - Lettre autographe signée.<div align="center" class="MsoNormal" style="font-family: Times; margin: 0cm 0cm 0.0001pt; text-align: center;">
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<span style="font-family: Garamond, serif;"><span style="font-size: x-large;">Marie François <b>SADI CARNOT<o:p></o:p></b></span></span></div>
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<span style="font-family: Garamond, serif;"><span style="font-size: x-large;">(1837-1894)<o:p></o:p></span></span></div>
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<i><span style="font-family: Garamond, serif;"><span style="font-size: x-large;">Homme politique français</span><span style="font-size: 11pt;"><o:p></o:p></span></span></i></div>
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<span style="font-family: Garamond, serif;">L.A.S., 16 septembre 1885 ; 2 pages in-8 (125 x 205), sur papier à l’entête du <i>Ministère des finances – Cabinet du Ministre</i>.<o:p></o:p></span></div>
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<span style="font-family: Garamond, serif;"><span style="font-size: large;">Brève missive dans laquelle Marie François Sadi Carnot, qui vient de prendre ses fonctions de Ministre des Finances dans le gouvernement de Charles de Freycinet, adresse une requête au Préfet, en faveur de l’ « un de [ses] compatriotes ».<o:p></o:p></span></span></div>
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<span style="font-family: Garamond, serif;"><span style="font-size: large;">Sadi Carnot fut ensuite président la République Française du 3 décembre 1887 au 25 juin 1894, date de son assassinat par l’anarchiste italien Sante Geronimo Caserio.<o:p></o:p></span></span></div>
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<span style="font-family: Garamond, serif;"><span style="font-size: large;">Perforation et vestige d’un papier collé, probable trace de cachet supprimé, entrainant une petite perte de texte. Petite perforation sans atteinte au texte dans la partie inférieure. </span></span></div>
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<span style="font-family: Garamond, serif;"><span style="font-size: large;">50 €<o:p></o:p></span></span></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-30826237225532515762020-03-27T02:56:00.000-07:002020-03-27T02:58:20.923-07:00[Préfecture de Police] – [PIIS, Pierre-Antoine-Augustin de].<div class="MsoNormal" style="font-family: Cambria, serif; margin: 0cm 0cm 0.0001pt; text-align: center;">
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<span style="font-family: "times new roman" , serif;"><span style="font-size: x-large;">[Préfecture de Police] – </span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-large;">[PIIS, Pierre-Antoine-Augustin de].<o:p></o:p></span></span></div>
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<span style="font-family: "times new roman" , serif;">Passeport signé, 355 x 235, Paris, le cinq Germinal an douze (26 mars 1804).<o:p></o:p></span></div>
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<span style="font-family: "times new roman" , serif; font-size: large;">Rare document en partie manuscrit, émanant de la Préfecture de Police, et plus précisément du Bureau des passeports. <o:p></o:p></span></div>
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<span style="font-family: "times new roman" , serif; font-size: large;">Il donne l’autorisation « au citoyen Rémy Duval, conducteur de diligence natif de Guisy, département de Laisne… », âgé de 37 ans, mesurant 1,73 mètres, « cheveux et sourcils bruns, front haut, yeux gris bleu, nez moyen, bouche moyenne, menton mou, visage plein… » de circuler librement de Paris à Dole.<o:p></o:p></span></div>
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<span style="font-family: "times new roman" , serif; font-size: large;">Le document est rempli à la plume et porte la signature autographe de Pierre-Antoine-Augustin de Piis (1755-1832), haut-fonctionnaire de police, hommes de lettres et dramaturge français. En 1804 il est Secrétaire général de la Préfecture de Police.<o:p></o:p></span></div>
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<span style="font-family: "times new roman" , serif; font-size: large;">Une note manuscrite au verso où l’on a pu déchiffrer : « Madame Ricard chez Monsieur Devetret vigneron… de la part de son Mary… ».<o:p></o:p></span></div>
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<span style="font-family: "times new roman" , serif; font-size: large;">Nombreuses pliures, restaurations à ces pliures. Aucun manque. </span></div>
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<span style="font-family: "times new roman" , serif; font-size: large;"><b>80 €</b><o:p></o:p></span></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-68285240733639389212020-03-25T00:17:00.004-07:002020-03-25T00:17:51.258-07:00Jean-Baptiste VERCHÈRE DE REFFYE. L.A.S.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4LfLiOY_WMGYI-Rd-mWmZkvWkJOfND6mkh6XAyCBkqZFBL5HZUHKpFiO0nJfmwGvQqFPuk3RzUaMlgoQYDMKsrn6hRFK9dlqZcNGdL0pfwYypS_yk2Bobl5h3qDIwDQY2flxpuVF5UHM/s1600/VERCHE%25CC%2580RE+DE+REFFYE.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1264" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4LfLiOY_WMGYI-Rd-mWmZkvWkJOfND6mkh6XAyCBkqZFBL5HZUHKpFiO0nJfmwGvQqFPuk3RzUaMlgoQYDMKsrn6hRFK9dlqZcNGdL0pfwYypS_yk2Bobl5h3qDIwDQY2flxpuVF5UHM/s400/VERCHE%25CC%2580RE+DE+REFFYE.jpg" width="315" /></a></div>
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<b><span style="font-size: x-large;"><a href="https://www.blogger.com/null" name="OLE_LINK11"></a><a href="https://www.blogger.com/null" name="OLE_LINK9"></a><a href="https://www.blogger.com/null" name="OLE_LINK8"></a><a href="https://www.blogger.com/null" name="OLE_LINK6"></a><a href="https://www.blogger.com/null" name="OLE_LINK5"></a><a href="https://www.blogger.com/null" name="OLE_LINK3"></a><a href="https://www.blogger.com/null" name="OLE_LINK2"></a><a href="https://www.blogger.com/null" name="OLE_LINK1"></a><a href="https://www.blogger.com/null" name="OLE_LINK47"></a><a href="https://www.blogger.com/null" name="OLE_LINK10"></a><a href="https://www.blogger.com/null" name="OLE_LINK101"></a><a href="https://www.blogger.com/null" name="OLE_LINK100"></a></span><a href="https://www.blogger.com/null" name="OLE_LINK99"><span style="font-family: Garamond, serif;"><span style="font-size: x-large;">Jean-Baptiste VERCHÈRE DE REFFYE</span><span style="font-size: large;"><o:p></o:p></span></span></a></b></div>
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<span style="font-family: Garamond, serif;"><b><span style="font-size: large;">(1821-1880)<o:p></o:p></span></b></span></div>
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<i><span style="font-family: Garamond, serif;"><b><span style="font-size: large;">Général d’artillerie français.</span><span style="font-size: 13pt;"><o:p></o:p></span></b></span></i></div>
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<span style="font-family: Garamond, serif;"><b>L.A.S., 1 pages in-4, (270 x 210), adressées à Charles-François Verd de Saint-Julien, le 2 Août 1869.<o:p></o:p></b></span></div>
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<b><span style="font-size: large;"><span style="font-family: Garamond, serif;">Jean-Baptiste Verchère de Reffye (1821-1880) s’adresse à Charles-François Verd de Saint-Julien (1795-1878) alors maire de Meudon. Il l’informe de la visite imminente de l’Empereur Napoléon III : </span></span></b></div>
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<b><span style="font-size: large;"><span style="font-family: Garamond, serif;">« </span><i><span style="font-family: Garamond, serif;">L’Empereur doit venir dans le courant de la semaine prochaine probablement visiter l’Atelier du haras et veut bien à cette occasion recevoir votre requête. Je vous ferais prévenir du jour dès que je le connaîtrai. </span></i><span style="font-family: Garamond, serif;">»<o:p></o:p></span></span></b></div>
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<span style="font-family: Garamond, serif;"><b><span style="font-size: large;">Officier d’ordonnance de Napoléon III, Verchère de Reffye, était également directeur de l’atelier d’étude d’artillerie de l’Empereur à Meudon. On lui doit notamment l’invention de la fameuse « mitrailleuse Reffye » sur les instructions précises de Napoléon III « construire une bouche à feu pouvant lancer la mitraille à grande distance ». C’est probablement cette dernière invention que l’empereur venait découvrir au Haras de Meudon.<o:p></o:p></span></b></span></div>
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<span style="font-family: Garamond, serif;"><b><span style="font-size: large;">Infime déchirure à la pliure sans manque.<o:p></o:p></span></b></span></div>
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<span style="font-family: Garamond, serif;"><b><span style="font-size: large;"><a href="mailto:librairiebusser@orange.fr">réserver</a></span></b></span></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-82010336821955147512020-03-23T00:16:00.000-07:002020-03-23T00:24:37.988-07:00POMMIER, Amédée. Océanides et Fantaisies. <div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt; text-align: center;">
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: large;">POMMIER, Amédée. — Océanides et Fantaisie.</span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: large;">Paris : Dolin (impr. Raynal à Rambouillet), 1839.</span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: x-small;">In-8, 220 x 140 : (2 ff.), 268 pp., couverture verte imprimée. —Broché, non rogné.</span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Édition originale.</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Amédée Pommier (1803-1877) avait su toucher l’admiration de Gustave Flaubertqui lui écrirait quelques années plus tard, en 1860 lors de la parution des <i>Colifichets</i>: « Partout j’ai retrouvé l’exquis écrivain des <i>Crâneries</i>, des <i>Océanides</i> et de <i>l’Enfer</i>. Je vous connais et depuis longtemps je vous étudie. Il n’est guère possible d’aimer le style sans faire de vos œuvres le plus grand cas. Quelles rimes ! Quelle variété de tournures ! Quelles surprises d’images ! C’est à la fois clair et dense comme du diamant. Vous me semblez un classique dans la meilleure acception du mot. »<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">On trouve par ailleurs une petite note manuscrite à la plume à la fin du volume reprenant une citation peu flatteuse de Cuvillier-Fleury dans le <i>Journal des Débats </i>du 1<sup>er</sup>février 1840 « Moi, que M. Amédée Pommier veut bien accepter pour juge, je dis qu’il a de l’énergie, de la verve, une certaine puissance d’imagination, une grande abondance de mots poétiques à son service ; mais pour dire qu’il est poète, j’attendrai. »<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Rousseurs éparses. Perforation en marge de la page 40 sans atteinte au texte. Couverture salie avec petit manque de papier en tête.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Bibliographie : Vicaire VI, 759.</span></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-24350259506787317302020-03-20T01:39:00.001-07:002020-03-20T01:40:09.461-07:00MAUROIS, André - VERCORS (Jean Bruller, dit). Chateaubriand.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8Xt2vC6xDt1r25uEyLuzz3scVlHhqLHzqglDiEGEp9obFaeoYLIp-pqv4qMZuaWBxv3iPMcDBZbddtj0pMvgFpk8zrdgUmpSbHTCeE4-lxaVDZciu3e17MIphBd2_H8qctN8kEI3NPk4/s1600/MAUROIS+chateaubriand+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="848" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8Xt2vC6xDt1r25uEyLuzz3scVlHhqLHzqglDiEGEp9obFaeoYLIp-pqv4qMZuaWBxv3iPMcDBZbddtj0pMvgFpk8zrdgUmpSbHTCeE4-lxaVDZciu3e17MIphBd2_H8qctN8kEI3NPk4/s320/MAUROIS+chateaubriand+1.jpg" width="169" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHgnjGXGtd9k3Kz7iLaiebN2motSZkGKvjiVXlWVgvnbVp7oYWVIRlIvigFYRxqCgRLrX0bPMBexNPbiJF98W6sYbE1C7qhTsuQQ1yhElnnqQrDubqdaz0gVRCqDnHNiq0aMU3sdbzshY/s1600/MAUROIS+chateaubriand+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1201" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHgnjGXGtd9k3Kz7iLaiebN2motSZkGKvjiVXlWVgvnbVp7oYWVIRlIvigFYRxqCgRLrX0bPMBexNPbiJF98W6sYbE1C7qhTsuQQ1yhElnnqQrDubqdaz0gVRCqDnHNiq0aMU3sdbzshY/s320/MAUROIS+chateaubriand+2.jpg" width="240" /></a></div>
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<a href="https://www.blogger.com/null" name="OLE_LINK8"></a><a href="https://www.blogger.com/null" name="OLE_LINK10"></a><a href="https://www.blogger.com/null" name="OLE_LINK14"></a><a href="https://www.blogger.com/null" name="OLE_LINK1"></a><a href="https://www.blogger.com/null" name="OLE_LINK3"><span style="font-family: Times-Roman;">MAUROIS, André - VERCORS (Jean Bruller, dit)<o:p></o:p></span></a></div>
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<span style="font-family: Times-Roman;">Chateaubriand. — Paris : Bernard Grasset (impr. Floch à Mayenne), (1938).</span><span style="color: maroon; font-size: 11pt;"><o:p></o:p></span></div>
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<span style="font-size: x-small;"><span style="font-family: Times-Roman;">In-12, 185 x 126, 494 pp., (1 f.), couverture imprimée en rouge et noir. – Demi-maroquin caramel à coins, dos à nerfs, tête dorée, couverture et dos conservés (<i>Semet et Plumelle</i>).</span><span style="font-family: Times-Roman;"><o:p></o:p></span></span></div>
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<span style="font-family: Times-Bold;">Édition originale de cette biographie qui fut l’une des plus importantes de la carrière d’André Maurois, cinquième volume de la collection <i>Le Trentenaire</i>éditée par Bernard Grasset.<o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">Les dix chapitres qui la composent couvrent les moments clés de la vie de Chateaubriand : <o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">1 — Enfance et adolescence.<o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">2 — Le Voyageur et le soldat.<o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">3 — L’exil.<o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">4 — Le Génie du christianisme.<o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">5 — Itinéraire de Paris à l’Andalousie.<o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">6 — La Vallée-aux-loups.<o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">7 — Le Partisan.<o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">8 — Ascension, vertige et chute.<o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">9 — Le monarchiste contre la Monarchie.<o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">10 — Tel qu’en lui-même enfin…<o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">On trouve in fine, à la suite de la longue liste des documents consultés par l’auteur un précieux index des noms cités. De cette vie de Chateaubriand fut tiré un cours, dispensé à la Société des Conférences.<o:p></o:p></span></div>
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<span style="font-family: Times-Bold;">Un des 47 exemplaires sur Hollande (n°V) en très bel état, celui-ci dans <b>une reliure de Semet et Plumelle parfaitement établie.<o:p></o:p></b></span></div>
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<b><span style="font-family: Times-Bold;">100 €</span></b><span style="font-family: "garamond" , serif; font-size: 9pt;"><o:p></o:p></span></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-46355640373619333452020-03-19T00:54:00.000-07:002020-03-19T00:54:29.562-07:00[SURRÉALISME]<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "times" , "times new roman" , serif;"><b>Ensemble de 24 plaquettes publiées aux Éditions maintenant.</b></span></div>
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<span style="font-family: "times" , "times new roman" , serif;"> Paris : Éditions Maintenant,1972-1976.</span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: x-small;">24 plaquettes in-18, 150 x 105, broch<span style="font-stretch: normal; line-height: normal;">é</span>es, imprim<span style="font-stretch: normal; line-height: normal;">é</span>es sur papiers de diverses couleurs.</span></div>
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<span style="font-family: "times" , "times new roman" , serif;">L’ensemble se compose des 24 titres de la collection S, chacun portant sur le premier plat une composition de Toyen :</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">1-<span class="Apple-tab-span" style="white-space: pre;"> </span>IVSIC Radovan, Mavena. Paris : Éditions Maintenant (imp. Georges Girard), juin 1972. L’édition originale illustrée par Joan Miro, parut aux Éditions Surréalistes en 1960.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">2-<span class="Apple-tab-span" style="white-space: pre;"> </span>LE BRUN Annie, Les Pâles et les fiévreux après-midi des villes. Paris : Éditions Maintenant (imp. Georges Girard), juin 1972. Édition originale. Petite déchirure sans manque.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">3-<span class="Apple-tab-span" style="white-space: pre;"> </span>PEUCHMAURD Pierre, L’Embellie Roturière. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), juin 1972.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">4-<span class="Apple-tab-span" style="white-space: pre;"> </span>GOLDFAYN Georges, Rien ne va plus. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), juin 1972.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">5-<span class="Apple-tab-span" style="white-space: pre;"> </span>GOURTAY Michel, Je me sens bien en Malaisie. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), mars 1973.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">6-<span class="Apple-tab-span" style="white-space: pre;"> </span>LEGRAND Gérard, Siècles ciselés. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), mars 1973.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">7-<span class="Apple-tab-span" style="white-space: pre;"> </span>PEUCHMAURD Pierre, L’Entretiens des haies. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), mars 1973.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">8-<span class="Apple-tab-span" style="white-space: pre;"> </span>Le 17 mars, texte collectif suivi de Il faut tenir compte de la distance (feuilleton théorique). Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), mars 1973.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">9-<span class="Apple-tab-span" style="white-space: pre;"> </span>TOYEN, Vis-a-vis. 12 collages 1973. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), juin 1973.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">10-<span class="Apple-tab-span" style="white-space: pre;"> </span>GRONIER Georges. Le Moindre des mêmes. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), juin 1973.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">11-<span class="Apple-tab-span" style="white-space: pre;"> </span>MAGLOIRE-SAINT-AUDE Clément, Dimanche. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), juin 1973.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">12-<span class="Apple-tab-span" style="white-space: pre;"> </span>Il faut tenir compte de la distance (Chapitres II et III) feuilleton théorique. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), juin 1973.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">13-<span class="Apple-tab-span" style="white-space: pre;"> </span>Il faut tenir compte de la distance (Chapitres IV et V) feuilleton théorique. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), mars 1974.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">14-<span class="Apple-tab-span" style="white-space: pre;"> </span>GOLDFAYN Georges, Mise en jeu. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), mars 1974.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">15-<span class="Apple-tab-span" style="white-space: pre;"> </span>IVSIC Radovan, Ou autour ou dedans. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), mars 1974.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">16-<span class="Apple-tab-span" style="white-space: pre;"> </span>Il faut tenir compte de la distance (Chapitres V – suite – et VI) feuilleton théorique. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), mars 1974.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">17-<span class="Apple-tab-span" style="white-space: pre;"> </span>DAX Adrien M., Lecture en blanc. Édition originale. Paris : Éditions Maintenant (imp. Georges Girard), décembre 1974.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">18-<span class="Apple-tab-span" style="white-space: pre;"> </span>SANCTIS Fabio de, Déménagement. Paris : Éditions Maintenant (imp. Georges Girard), décembre 1974.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">19-<span class="Apple-tab-span" style="white-space: pre;"> </span>Il faut tenir compte de la distance (Chapitres VII – suite – et VIII) feuilleton théorique. Paris : Éditions Maintenant (imp. Georges Girard), décembre 1974.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">20-<span class="Apple-tab-span" style="white-space: pre;"> </span>LE BRUN Annie, Les écureuils de l’orage. Paris : Éditions Maintenant (imp. Georges Girard), décembre 1974.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">21-<span class="Apple-tab-span" style="white-space: pre;"> </span>LEGRAND Gérard, Chacun pour soi, et le diable pour quelques-uns. Paris : Éditions Maintenant (imp. Georges Girard), décembre 1974.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">22-<span class="Apple-tab-span" style="white-space: pre;"> </span>Il faut tenir compte de la distance (Chapitre VIII — suite) feuilleton théorique. Paris : Éditions Maintenant (imp. Georges Girard), décembre 1974.</span></div>
<div style="font-size: 16px; font-stretch: normal; line-height: normal; text-align: justify;">
<span style="font-family: "georgia" , "times new roman" , serif;">23-<span class="Apple-tab-span" style="white-space: pre;"> </span>Objets d’identité. Paris : Éditions Maintenant (imp. Georges Girard), décembre 1976.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">24-<span class="Apple-tab-span" style="white-space: pre;"> </span>Il faut tenir compte de la distance (Chapitres IX et dernier) feuilleton théorique. Paris : Éditions Maintenant (imp. Georges Girard), décembre 1976.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Les Éditions Maintenant furent créées après la dissolution du mouvement surréaliste en 1969, par le poète surréaliste d’origine croate Radovan IVSIC (1921-2009) et quelques amis tels que le peintre tchèque Toyen et Annie Le Brun (qui sera son épouse jusqu’à la fin).</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Quelques exemplaires sont légèrement insolés au dos et plus rarement au second plat. Couverture de la plaquette Les Pâles et fiévreux après-midi des villes, froissé et présentant une petite déchirure en marge (sans manque).</span></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-14005956660748376562020-03-17T10:44:00.001-07:002020-03-17T10:44:12.807-07:00CLER, Albert. La Comédie à cheval.<div class="separator" style="clear: both; text-align: center;">
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<b>CLER, Albert.</b></div>
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<b>La Comédie a cheval ou Manies et travers du monde équestre...</b></div>
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Paris : Ernest Bourdin (impr. Schneider et Langrand), (1842).<o:p></o:p></div>
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In-12, 112 x 182 : frontispice, (2 ff.), 153 pp., (1 f.), couverture illustrée – Demi-maroquin vert à coins, double filet doré, dos à nerfs orné de doubles filets dorés, couverture et dos conservés (<i>V. Champs</i>).<o:p></o:p></div>
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Édition originale.<o:p></o:p></div>
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Journaliste au Charivari, Albert Cler dresse ici un portrait satirique du monde équestre dans la veine des physiologies très en vogue à cette époque. <o:p></o:p></div>
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L’édition est illustrée d’un frontispice d’après Eugène Giraud et de nombreuses vignettes dans le texte par Charlet, Johannot, Giraud et Giroux.<o:p></o:p></div>
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Bel exemplaire en demi-maroquin de l’époque parfaitement établi. <o:p></o:p></div>
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Provenance : bibliothèque du libraire hispaniste Charles Bouret, avec son ex-libris gravé par Deville portant la devise espagnole «Siempre mas». <o:p></o:p></div>
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Dos légèrement passé.<o:p></o:p></div>
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<i>Bibliographie</i>: Vicaire II, 451. </div>
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<b>350 €<o:p></o:p></b></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-75315957997424455242020-03-17T09:55:00.001-07:002020-03-17T09:59:13.785-07:00Restez connectés !<div align="center" class="MsoNormal" style="font-family: "Times New Roman"; margin: 0cm 0cm 0.0001pt; text-align: center;">
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<span style="font-size: large;">Chers clients, chères clientes, chers confrères, chères consoeurs…<o:p></o:p></span></div>
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<span style="font-size: large;">Depuis le samedi 14 mars 18h30, en conséquence des mesures prises par le gouvernement contre l’expansion du Covid-19, notre librairie est fermée et le restera pour une durée indéterminée.<o:p></o:p></span></div>
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<span style="font-size: large;">Nous restons cependant positifs et préparons d’ores et déjà activement notre retour !<o:p></o:p></span></div>
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<span style="font-size: large;">Pendant cette période de pause, nous nous proposons de vous présenter quelques nouveautés que vous pourrez réserver et que nous vous expédierons dès qu’il nous sera permis de le faire.<o:p></o:p></span></div>
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<span style="font-size: large;">Nous restons disponibles par téléphone aux numéros suivants <o:p></o:p></span></div>
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<span style="font-size: large;">ainsi que par mail <a href="https://www.blogger.com/null">librairiebusser@orange.fr</a><o:p></o:p></span></div>
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<span style="font-size: large;">Alors restez connectés, suivez nous sur notre blog<o:p></o:p></span></div>
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<span style="font-size: large;">et surtout<o:p></o:p></span></div>
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<span style="font-size: large;">Pour le bien de tous</span><o:p></o:p></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-90032908053220924802020-02-25T07:17:00.000-08:002020-02-25T07:17:45.223-08:00S.E.L.A.C 2020<div class="separator" style="clear: both; text-align: center;">
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Nous vous donnons rendez-vous</div>
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le Samedi 29 février de 10h à 19h </div>
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le dimanche 1er Mars de 10h à 18h</div>
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au 18ème S.E.L.A.C (Salon Européen du Livre Ancien de Colmar)</div>
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A cette occasion nous vous avons préparé un florilège de nos dernières acquisitions</div>
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consultable <a href="http://www.bijoux-fuseaux.com/wp-content/uploads/2020/02/catalogue-Colmar.pdf">ICI</a></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-2033192183267468992020-02-14T08:29:00.000-08:002020-02-18T01:41:00.302-08:00ARAGON - Il ne m'est Paris que d'Elsa - Envoi autographe signé.<div style="font-family: Times; font-size: 12px; font-stretch: normal; line-height: normal; text-align: center;">
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<b><span style="font-size: large;">ARAGON (Louis)</span></b></div>
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<b>Il ne m’est Paris que d’Elsa, Poèmes. Anthologie. </b>— Paris : Robert Laffont (impr. Crété), 1968.</div>
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<span style="font-size: x-small;">Petit in-4, 259 x 209 : 173 pp., (1 f. bl.), jaquette illustrée rempliée. — Toile blanche imprimée en couleurs à la bradel, jacquette illustrée conservée.</span></div>
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Édition parue 4 ans après l’originale de de cette anthologie des plus beaux poèmes de l’auteur sur Paris, </div>
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illustrée de photographies en noir et blanc de Jean Marquis.</div>
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Émouvant exemplaire doublement enrichi d’une dédicace de Louis Aragon (1897-1982) à une certaine Marie-Hélène ainsi que de la </div>
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signature de son épouse et muse Elsa Triolet (1896-1970).</div>
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L’ouvrage débute sur le poème qui donne son nom au recueil et qui célèbre l’amour de l’auteur pour sa muse :</div>
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<i>«Je n’aime rien que par ta grâce et Paris ne m’est que d’Elsa</i></div>
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<i>De promenade aurais-je envie où je ne te suive à la trace</i></div>
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<i>Qu’aurai-je écrit qui ne s’efface à moins que ton parfum n’y passe</i></div>
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<i>Le long des murs de notre vie où le crayon du temps s’usa...»</i></div>
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Toile de la reliure un peu salie, mouillure en queue. Jaquette frottée avec d’infimes déchirures sans gravité et un tout petit manque en tête. </div>
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Quelques taches (café) aux pages 14, 15 et 111.<span class="Apple-tab-span" style="white-space: pre;"> </span></div>
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<b>120 €</b></div>
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<b><i>Vendu</i></b></div>
Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-11597957759612038042020-01-21T06:46:00.003-08:002020-02-12T03:03:44.963-08:003 MARS — VENTE PUBLIQUE ADER<div class="separator" style="clear: both; text-align: center;">
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<b>VENTE PUBLIQUE ADER</b></div>
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<b>3 MARS 2020</b></div>
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Le catalogue est disponible au format virtuel, en cliquant sur l'image<br />
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où directement sur le site de l'étude</div>
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<a href="https://www.ader-paris.fr/vente/101534"><img border="0" data-original-height="77" data-original-width="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOu8VQiSIFll_eq-_WMonZda_EdeJ3UwJBaz2NiJNw3MSTt_OCshDqRXhKDjui0mbEsSJOvzYC2JTh1eMJ_ey_dv2H5D6jepwI_FpgcVxiBlif0HZbquHlOxew7INyg_7ejLprZBH8OfU/s1600/Ader+puce+copie.jpg" /></a></div>
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VEUILLEZ NOTER QU'EXCEPTIONNELLEMENT</div>
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LES OUVRAGES SERONT VISIBLES À L'ÉTUDE UNIQUEMENT</div>
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Lundi 2 mars de 10h à 18h</div>
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et </div>
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Mardi 3 mars de 10h à 12h </div>
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<br />Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-47713345569381358502020-01-11T02:34:00.003-08:002020-01-11T02:34:56.590-08:00BONNE ANNÉE 2020<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZYWVCTo3DKpHQpqNGRS3WXG70sfAsXuhUi6GjtIWYhjmd56k7mp1V0BbkfmQtsOnB1NsSL44JzSAW0MEJ28X_ez9Qgtr46EdGu8knB0h7sO1Or_BbOkmnWFMhyphenhypheneCHiRa7bhhjcWDFDzI/s1600/Voeux+2019+2+copie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1033" data-original-width="1600" height="408" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZYWVCTo3DKpHQpqNGRS3WXG70sfAsXuhUi6GjtIWYhjmd56k7mp1V0BbkfmQtsOnB1NsSL44JzSAW0MEJ28X_ez9Qgtr46EdGu8knB0h7sO1Or_BbOkmnWFMhyphenhypheneCHiRa7bhhjcWDFDzI/s640/Voeux+2019+2+copie.jpg" width="640" /></a></div>
<br />Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-13343759715489173572020-01-10T07:20:00.003-08:002020-01-10T07:20:57.323-08:00NUS, Eugène. – MÉRAY, Antony.<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"><a href="https://www.blogger.com/null" name="OLE_LINK18"></a><a href="https://www.blogger.com/null" name="OLE_LINK17"></a><a href="https://www.blogger.com/null" name="OLE_LINK11"></a><a href="https://www.blogger.com/null" name="OLE_LINK1"></a><a href="https://www.blogger.com/null" name="OLE_LINK3">NUS, Eugène. – MÉRAY, Antony. — Les Nouveaux jeux floraux, principes d’analogie des fleurs.— <i>Paris : Gabriel de Gonet (impr. de Vialat & Cie à Lagny), </i>[1852].<i><o:p></o:p></i></a></span></div>
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<span style="font-size: large;">In-8, 214 x 137 : frontispice, (2 ff.), 168 pp., 2 pp., (1 f.), couverture imprimée. – Demi-maroquin rouge à coins, filet doré, dos lisse orné d’un décor de style romantique de feuillage, tête dorée, couverture et dos conservés (<i>Semet et Plumelle</i>).<o:p></o:p></span></div>
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<span style="font-size: large;">Édition originale et belle édition illustrée, très peu courante, de cet ouvrage consacré au délicat langage des fleurs. On y trouve les chapitres suivants : <i>Les Nouveaux jeux floraux</i>, <i>Analogie des couleurs</i>, <i>Analogie des plantes</i>, <i>Modèles d’analogie</i>, <i>Langage analogique des fleurs</i>, <i>Antar de Brito et Lantana</i>.<o:p></o:p></span></div>
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<span style="font-size: large;">L’édition est illustrée de 8 gravures sur acier de Ch. Geoffroy, dont un frontispice, tirées en bistre sur papier fort avec la lettre et le nom de l’éditeur. <o:p></o:p></span></div>
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<span style="font-size: large;">Très bel exemplaire dans une reliure pastiche parfaitement réalisée, signée de Semet et Plumelle.<o:p></o:p></span></div>
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<span style="font-size: large;">Bibliographie : Vicaire V, 695 et VI, 243. </span></div>
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<span style="font-size: large;"><b>500 €<o:p></o:p></b></span></div>
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<i style="font-family: "times new roman", serif;"><span style="font-size: large;"><a href="mailto:librairiebusser@orange.fr">Commander</a></span></i></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-31936791433763856232020-01-09T02:15:00.002-08:002020-01-09T02:15:46.127-08:00RHEIMS, Nathalie. L'Engrenage.<div class="MsoNormal" style="font-family: Times; margin: 0cm 0cm 0.0001pt; text-align: center;">
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<span style="font-size: large;"><a href="https://www.blogger.com/null" name="OLE_LINK82"></a><a href="https://www.blogger.com/null" name="OLE_LINK5"></a><a href="https://www.blogger.com/null" name="OLE_LINK10"></a><a href="https://www.blogger.com/null" name="OLE_LINK9"></a><a href="https://www.blogger.com/null" name="OLE_LINK2"></a><a href="https://www.blogger.com/null" name="OLE_LINK4"></a><a href="https://www.blogger.com/null" name="OLE_LINK14"></a><a href="https://www.blogger.com/null" name="OLE_LINK1"></a><a href="https://www.blogger.com/null" name="OLE_LINK3"><b><span style="font-family: Cochin;">RHEIMS, Nathalie</span></b></a><span style="font-family: Cochin;">. — <b><i>L’un pour l’autre</i></b>. Récit. — Paris : Galilée (impr. Floch à Mayenne), 1999.<o:p></o:p></span></span></div>
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<span style="font-family: Cochin;"><span style="font-size: large;">In-8, 205 x 140 : 75 pp., (6 ff. le dernier blanc), couverture imprimée. — Broché, couverture rempliée.<o:p></o:p></span></span></div>
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<span style="font-family: Cochin; font-variant-caps: normal !important; font-variant-east-asian: normal !important; font-variant-ligatures: normal !important; font-variant-position: normal !important;"><span style="font-size: large;">Édition originale du premier roman de Nathalie Rheims.<o:p></o:p></span></span></div>
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<span style="font-family: Cochin; font-variant-caps: normal !important; font-variant-east-asian: normal !important; font-variant-ligatures: normal !important; font-variant-position: normal !important;"><span style="font-size: large;">Dans cet ouvrage Nathalie Rheims, encore meurtrie par la disparition de son frère, tente de faire revivre l’acteur Charles Denner sous sa plume.<o:p></o:p></span></span></div>
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<span style="font-family: Cochin; font-variant-caps: normal !important; font-variant-east-asian: normal !important; font-variant-ligatures: normal !important; font-variant-position: normal !important;"><span style="font-size: large;">Un des 100 exmplaires enrichis d’un frontispice de Charles Matton (1931-2008). Notre exemplaire porte par ailleurs les signatures à la mine de plomb de l’autrice et de l’artiste à la justification. <o:p></o:p></span></span></div>
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<span style="font-family: Cochin; font-variant-caps: normal !important; font-variant-east-asian: normal !important; font-variant-ligatures: normal !important; font-variant-position: normal !important;"><span style="font-size: large;">Exemplaire parfaitement conservé. </span></span></div>
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<span style="font-size: large;"><span style="font-family: Cochin; font-variant-caps: normal !important; font-variant-east-asian: normal !important; font-variant-ligatures: normal !important; font-variant-position: normal !important;">100</span><span style="font-variant-caps: normal !important; font-variant-east-asian: normal !important; font-variant-ligatures: normal !important; font-variant-position: normal !important;">€</span></span><span style="font-size: 10pt; font-variant-caps: normal !important; font-variant-east-asian: normal !important; font-variant-ligatures: normal !important; font-variant-position: normal !important;"><o:p></o:p></span></div>
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<span style="font-size: large;"><span style="font-variant-caps: normal !important; font-variant-east-asian: normal !important; font-variant-ligatures: normal !important; font-variant-position: normal !important;"><i><a href="mailto:librairiebusser@orange.fr">Commander</a></i></span></span></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-38027445735202240192020-01-03T07:32:00.001-08:002020-01-03T07:55:41.566-08:00SARTRE, Jean-Paul. L'Engrenage.<div class="MsoNormal" style="font-family: Times; margin: 0cm 0cm 0.0001pt; text-align: center;">
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<span style="font-family: "cochin"; font-size: 10pt;"><b>SARTRE, Jean-Paul</b></span><span style="font-family: "cochin"; font-size: 10pt;"><b>. </b>— <i>L’Engrenage. </i><i>Scénario.</i>— Paris : Nagel, 1948.<o:p></o:p></span></div>
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<span style="font-family: "cochin"; font-size: 9pt;">In-12, 190 x 117 : </span><span style="font-family: "cochin"; font-size: 9pt;">221 pp. le premier blanc, (1 f.), couverture imprimée. — Broché.<o:p></o:p></span></div>
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<span style="font-family: "cochin"; font-size: 10pt;">Édition originale de ce scénario « écrit pendant l’hiver 1946. </span></div>
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<span style="font-family: "cochin"; font-size: 10pt;">Il était originellement intitulé : « LES MAINS SALES ». La pièce qui a hérité de son titre lui est donc postérieure de deux ans. </span><br />
<span style="font-family: "cochin"; font-size: 10pt;">Le sujet du présent ouvrage n’a rien de commun avec celui de la pièce. »<o:p></o:p></span></div>
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<span style="font-family: "cochin"; font-size: 10pt;">Dans <i>L’Engrenage</i>, Sartre s’interroge sur la notion de pouvoir, d’ambition personnelle et de corruption.<o:p></o:p></span></div>
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<span style="font-family: "cochin"; font-size: 10pt;">Un des 500 exemplaires numérotés sur papier Vergé Américain des papeteries du Marais. </span><br />
<span style="font-family: "cochin"; font-size: 10pt;">Petite tâche sur la couverture.</span><span style="font-family: "cochin"; font-size: 10pt;"> </span></div>
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<span style="font-size: xx-small;"><i><a href="mailto:librairiebusser@orange.fr">Commander</a></i></span></h4>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbSd0ZLdcBgNYvRaljDeB-X4C3JbsTKAtdti-hR_MduiuZdbVITQTZiT8GMVPHmghoYVWJAiKbHEQB4qe0nTFyoJcp6MP5KVyLAwMym6rdJ6Vg_zxLvu2uuDTdCMl7HWRV9jPJoSX_hug/s1600/SARTRE+L%2527engrenage+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="368" data-original-width="591" height="123" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbSd0ZLdcBgNYvRaljDeB-X4C3JbsTKAtdti-hR_MduiuZdbVITQTZiT8GMVPHmghoYVWJAiKbHEQB4qe0nTFyoJcp6MP5KVyLAwMym6rdJ6Vg_zxLvu2uuDTdCMl7HWRV9jPJoSX_hug/s200/SARTRE+L%2527engrenage+3.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhedrfe3lrpmc7LgL7T3K68UXv8_x1Rp2bnhpdZTtuzr3CcXIYHrB2YAmpaaZcYn9yo5FHDUKA17_cTDhxEofOpfrXXtMHNmSfja6fyYZH8o3DZj5YD1Z_vpEg9hjsQt_e0d75h94jLLMU/s1600/SARTRE+L%2527engrenage+4.jpg" imageanchor="1" style="clear: left; display: inline !important; margin-bottom: 1em; margin-right: 1em; text-align: left;"><img border="0" data-original-height="545" data-original-width="626" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhedrfe3lrpmc7LgL7T3K68UXv8_x1Rp2bnhpdZTtuzr3CcXIYHrB2YAmpaaZcYn9yo5FHDUKA17_cTDhxEofOpfrXXtMHNmSfja6fyYZH8o3DZj5YD1Z_vpEg9hjsQt_e0d75h94jLLMU/s200/SARTRE+L%2527engrenage+4.jpg" width="200" /></a></div>
Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-7890896672562124492019-10-08T06:45:00.002-07:002019-10-08T06:46:48.254-07:00Festival International des Écrits de Femmes - Saint-Sauveur-en-Puisaye<div style="text-align: center;">
Nous avons le plaisir de vous donner rendez-vous </div>
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ce week-end au 8ème Festival International des Écrits de Femmes !</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVqfvTAgh-J0ng92p5rh3O5ken_71A1l3s28FCVimVimuILvIznVUNWHPepsZxypjlRAR5ipyzVDqo2LucNbm7gbmu11sp3d1HiYqfq5fR4pF_muuvLON1IsMYx2L90JPn4b8H9UN8a1c/s1600/Maison+de+colette+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="670" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVqfvTAgh-J0ng92p5rh3O5ken_71A1l3s28FCVimVimuILvIznVUNWHPepsZxypjlRAR5ipyzVDqo2LucNbm7gbmu11sp3d1HiYqfq5fR4pF_muuvLON1IsMYx2L90JPn4b8H9UN8a1c/s640/Maison+de+colette+1.jpg" width="446" /></a></div>
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Un programme exceptionnel vous y attend,</div>
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pour en savoir plus, c'est par ici !</div>
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<a href="http://ecritsdefemmes.fr/?fbclid=IwAR2ShKIMNJLH9S7jTkTqNoGf5T0WWwD1NxBNf9qc3vKGhMjMD1xwmA5id88"><img alt=" Programme FIEF 2019" border="0" data-original-height="293" data-original-width="293" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyk9jZJNDBczDJ6vYL6oy44xg9Ef1D35BRqEiG_DJRcJYBwE0MB5PVL4Ryp_PdbCkOwfKlkco6jDAw9I2Hvxv2671BfwnU5u9RgRv0xFfSfVRFWU16uOG4UZAZEn09m7AXU-sCx-56TmU/s200/69363317_2383329838416574_1341978375769554944_n.png" width="200" /></a></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-60040035202403442019-09-24T02:57:00.004-07:002019-09-24T03:00:23.286-07:00Salon du Livre ancien - Paray-le-Monial<br />
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Ce week-end c'est à Paray-le-Monial<br />
que nous vous donnons rendez-vous !<br />
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Avec au programme le </div>
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Salon du Livre ancien et des Métiers d'Art du Livre ! </div>
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Nous vous y attendrons </div>
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samedi 28 septembre de 10h à 19h30 </div>
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dimanche 29 septembre de 10h à 18h.<br />
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</span></span>Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-29244253637802202532019-08-27T08:53:00.001-07:002019-08-27T08:53:44.195-07:00COLETTE Ces Plaisirs...<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTaEjhyMNWE1hLspYduCOAjmYGadk-c7YwGDlh-3iXVpNr-_GXGuHpNZhGVGDiA8haalgu03D4T4hgMR8HlP6CUR2DeM2mgn8AcYmNtGMq5cpeqD8hyMlHVkFUaATkyo-rvxEr1h_Kw_o/s1600/COLETTE+Ces+plaisirs+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTaEjhyMNWE1hLspYduCOAjmYGadk-c7YwGDlh-3iXVpNr-_GXGuHpNZhGVGDiA8haalgu03D4T4hgMR8HlP6CUR2DeM2mgn8AcYmNtGMq5cpeqD8hyMlHVkFUaATkyo-rvxEr1h_Kw_o/s320/COLETTE+Ces+plaisirs+3.jpg" width="212" /> </a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuPvko6p2A_lyNHEHsRCZ9GeWN8Wc1KamU2NYkXCY90F2m6Gu2odKVroVXzHrB0eGhxL3jDJTzmG5ZCBM0JzHKOLNLafmEGgNN7K0-x6eI3oYNquSAmawRmOe_I22J86Cz-OAblUa2HZg/s1600/COLETTE+Ces+plaisirs+4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1571" data-original-width="1001" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuPvko6p2A_lyNHEHsRCZ9GeWN8Wc1KamU2NYkXCY90F2m6Gu2odKVroVXzHrB0eGhxL3jDJTzmG5ZCBM0JzHKOLNLafmEGgNN7K0-x6eI3oYNquSAmawRmOe_I22J86Cz-OAblUa2HZg/s320/COLETTE+Ces+plaisirs+4.jpg" width="203" /></a></div>
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<span style="font-size: large;">COLETTE, Sidonie Gabrielle.<o:p></o:p></span></div>
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<span style="font-size: large;">Ces Plaisirs... - Paris : J. Ferenczi & fils, 1<sup>er </sup>février 1932.</span></div>
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<span style="font-size: 9pt;">In-12, 210 x 136 : (1f. blanc), 249 pp., (2 ff. le dernier blanc), couverture imprimée. - Broché, non rogné.</span></h4>
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Édition originale de ce récit sur l'homosexualité dont l'aboutissement fut si laborieux pour Colette.<o:p></o:p></div>
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Ainsi se confiait-elle à Missy dans une de leurs nombreuses correspondances : "Je n'ai pas de titre pour mon livre qui me donne tant de peine, et qui n'est pas un roman. Il agite de vieilles choses d'amour, se mêle des amours unisexuelles, - enfin il fait ce qu'il peut... Comment trouves-tu Remous. Ou bien préfères-tu Écumes ? [...] "Remous" colle mieux au sujet (ou à l'absence de sujet). "Écumes" est un plus joli mot..." (Colette, La Pléïade, tome III, page 1505).<o:p></o:p></div>
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Ces plaisirs connurent une première publication partielle en feuilleton dans quatre numéros du journal Gringoire, mais Horace de Carbuccia, propriétaire du journal, n'obtenant pas le succès escompté fit brutalement interrompre la publication, provoquant la colère de Colette. L'ouvrage plusieurs fois remanié, fut par la suite publié sous le titre Le Pur et l'Impur.<o:p></o:p></div>
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Un des 125 exemplaires sur simili-japon de couleur, ici en bleu, réservés à l'auteur, celui-ci enrichi d'un envoi autographe de Colette à Mayotte (Florestine Caroline Nathan), épouse de l'écrivain et critique d'art Claude Roger-Marx (1888-1977) :<o:p></o:p></div>
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"<i>à Mayotte<o:p></o:p></i></div>
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<i>qui le prêtera à Claude,<o:p></o:p></i></div>
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<i>- si elle veut !<o:p></o:p></i></div>
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<i>avec mon cœur.<o:p></o:p></i></div>
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<i>Colette</i>."<o:p></o:p></div>
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Couverture insolée sur les bords des plats et au dos, infimes déchirures sans manque à la couverture. </div>
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Cahiers légèrement déboîtés. </div>
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<b>300 €</b> <o:p></o:p></div>
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Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0tag:blogger.com,1999:blog-3992113488902099997.post-13849444191075949862019-08-16T03:22:00.002-07:002019-08-23T05:59:35.179-07:00George SAND - Lettre autographe signée.<div style="border: 0px; color: #253847; font-family: "Helvetica neue", Helvetica, Verdana, sans-serif; font-size: 14pt; font-stretch: normal; line-height: normal; padding: 0px; text-align: center;">
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<b style="border: 0px; margin: 0px; padding: 0px;"><span style="color: #fff2cc; font-size: medium;">George, SAND</span></b></div>
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<span style="color: #fff2cc; font-size: medium;">(1804-1876)</span></div>
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<span style="color: #fff2cc; font-size: medium;">Lettre autographe signée à Rozanne Bourgoing.</span></div>
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<span style="color: #fff2cc; font-size: medium;"><span style="border: 0px; font-family: "garamond"; font-size: 18px; margin: 0px; padding: 0px;">L.A.S. « George », Paris [vers le 10 novembre 1841], à son amie Rozanne Bourgoing à Roanne ; 2 pages et quart in-8 à en-tête de La Revue indépendante, adresse.</span>.</span></div>
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<span style="color: #fff2cc;">Belle lettre sur La Revue indépendante qu’elle vient de fonder avec Pierre Leroux et Louis Viardot :</span></div>
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<span style="color: #fff2cc;">« Chère Rozanne, Tu vas me faire le plaisir de t’abonner à ma revue. Je suis bien aise d’avoir une occasion de réveiller ta vieille amitié engourdie par l’absence peut-être. La mienne est toujours fidèle au poste, et tu la retrouveras quand tu frapperas. Maintenant nous faisons une œuvre de propagande, il nous faut des sympathies, et aussi des abonnés, non pour faire prospérer une spéculation. Tu sais bien que ce n’est pas là notre but, mais pour nous soutenir, et trouver dans l’argent, ce nerf de la guerre, le moyen de propager nos idées par la presse. Ainsi prends un abonnement et fais en prendre à tous ceux de tes amis qui en auront le moyen. Tu nous rendras service au point de vue de la foi »…</span></div>
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<span style="color: #fff2cc;">Rozanne Bourgoing était l’épouse de Joseph Bourgoing, directeur des Contributions indirectes à La Châtre de 1833 à 1838. Elle était proche de George Sand qui séjourna chez elle en 1836. Veuve vers 1848, elle monta à Paris où elle écrivit un peu et collabora au journal de Considérant. Elle épousa après Alexandre Curton, attaché à la Direction des dons et secours du cabinet de l’Empereur. Née vers 1807, elle mourut vraisemblablement en mai 1892.</span></div>
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<span style="color: #fff2cc;">Correspondance, t. V, p. 491.</span></div>
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<span style="color: #fff2cc;">Provenance : collection Jean Depruneaux (1876-1958), pharmacien parisien, originaire de La Châtre, fondateur du musée George Sand.</span></div>
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<span style="color: #fff2cc;">vendu</span></div>
Librairie BUSSERhttp://www.blogger.com/profile/08459417857679112458noreply@blogger.com0